实体空间展览
-
策展人:
柴中建
棉布
艺术家:
王鹤
Curator(s):
Chai Zhongjiian
Mian Bu
Artist(s):
Wang He
王鹤个展：抱抱—编.童话织梦 baobao
画与人之间的未名者
文：柴中建
画与人之间的未名者
文：柴中建
看王鹤的作品，包含着一种更进一步的看：她的插图、诗品、以及她本人长不
大的那种样子。就像这组《抱抱》的展览，图像实实在在的显现在眼前，而无法找到
合适的名称。这是一组未名者的肖像。当你通过作品接近艺术家本人时，她本人似乎
也隐藏着这一未名者的身份。
破解未知有许多方式。都在创作者、阐释者和阅读者的感受里。当然，在未知
之外的未知才是未知的根本，我们只能用未知去标示未知的领域。重要的是谁能够原
本地就生活在未知的世界，面对的总是未知的领域？这种未知处境生成了未知性及未
知人。王鹤的作品出自这种未知的地方。未知的处境很大，除了神秘、隐藏、无限等
外，还有奥义、神话、灵性，甚至衍化为另类、鬼怪、神圣，以及不理解和不着调。
未知总是紧跟着知与理解的活动，当代处境给予人的，似乎不是由于事物潜藏的客观
未知所带来的，而是由于某种不可理解以及对不可理解的设置所带来的。即人类未知
的处境不仅是自然的给予，而且是人自身的创造性展开。如果王鹤本人的未知属于自
然的给予的话，那么她的画就是她未知性的创造性展开。
这是一个悖论，人类知识的发展不是知消除着未知，而是知总是伴生着未知与
无知。正是由于知显现了无限的未知。王鹤的这组作品是从手工与物质间的劳作开始
的：棉线编织的材料经过塑造，活现出一群另类世界的未名者的造型；又如棉线再现
般的线条在纸上重塑着这些未名者的肖像。未知以及未知者的世界在王鹤未知的幻想
里让我们猜疑——你，他，我，人们，未名者——都在我们中间。
The Untitled in Between Art and People
Chai Zhongjian
The Untitled in Between Art and People
—— By Chai Zhongjian
Seeing Wang He's artworks involves a kind of further looking-through her illustrations, poetries and
her manners that refused to grow up. Just like this exhibition titled "Hug" thoughimages are tangibly
presented, no proper names could be found. This is a portrait of a group of untitled people. When you
get access to artist Wang He through her artworks, it seems that an unknown identity was also hidden
within her.
There are many ways to crack the unknown, which are all in the perception of artists, interpreters
and readers. Certainly, the unknown far beyond another is the very root of the unknown, thus, we can
do nothing but to mark the unknown territory according to another. Most importantly, who can originally
survive in the world of unknown, facing up with unknown terriorities all the time?The status of this kind
of unknown has generated the unknown quality and unknown quantity. Wang He's artwork just
originates from this unknown place. However, the situation of unknown is quite broad-apart from
mystery, concealment and infinity, it includes profound meaning, myth, spirituality, deriving into
iconoclast, ghost and holiness,imcomprehensible and insane. The unknown is always followed up by
activities of knowledge and understandings. What people have been offered by contemporary scenario
seemed not forthe objective unknown hidden behind of matters but for sort of things beyond
comprehension or certain set-up for imcomprehensibility. Namely, the unknow situation is not only
legacies rendered by nature but also creativities developed by human beings. If the feature of Wang
He‘s unknown belongs to the offering from nature, her paintings are creative unfolding of theunknown.
This is a paradox as the development of human knowledge is not in a way that knowledge
eliminates unknown, rather, knowledge always associates with unknown and ignorance. It is precisely
because of the knowledge, the unlimited unknown could be manifested. This group ofartworks by Wang
He were started from the manual and material labors: through reproduction,cotton-knitted materials
presented a group of shape of untitled people who are from the eccentric world; or seems like
reapperaed lines of cotton thread re-scultpting these untitled portraits on papers; she then placed these
people on the spinner of mirror, spinning and spinning. The world of known and unknown leaves us a
space for doubting in Wang He's unknown fantasies - you, he, I, they and the untitled people are always
among us.