在3画廊 Being 3 Gallery
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策展人:

棉布

艺术家:

吕美

Curator(s):

Mianbu

Artist(s):

Lumei

移情别恋——吕美个展 Love? Love! - Lu Mei Solo Exhibition

移情别恋——吕美个展 展览前言
棉布

移情别恋——吕美个展展览前言

策展人:棉布

 

离开艺术家吕美2014年,从美国纽约返回中国北京成立个人工作室,将自己的探索和艺术职业转向中国整整10年,这10年,她的创作脉络从灵感共享的不可忽视的实验热忱作品,到形成颇有极简主义的精神自律系列,从如大山般绵延的足迹,到陡峭的悬崖断裂疑前驻足犹,因此她的创作和生活如尤利西斯般在茫茫大海上的寻真, ,我把她10年精选的代表作品回顾展,命名为“移情别恋”,象征艺术家的温柔情感和头也不回的对艺术本质的追寻。

 

美国和中国的丰富的文化资源和她的朋友圈,吕美通过学习和深入的辅导,转化为个人探索的语言源泉。2014年6月-2015年12月,魏立刚书象学社受训,使她来自中央⼯艺美院,蒋采萍⼯笔重彩画研究班习得的典型形式,和在美国的城市阅读经验,断然转向当代艺术的绘画探索之路;2017年,她来到纽约,在阿姆斯特丹西39街,近时代广场的EFA Studios,建立了自己的工作室,开启了一个国际职业艺术家的工作模式,同样,在2018年,在纽约艺术学生联盟/The Art Student League攻读雕塑,师从著名雕塑大师列昂尼德·勒曼/ 列昂尼德·勒曼(出生于俄罗斯敖德萨,在敖德萨艺术学院和马赛克与木雕专业学校学习绘画和雕塑),以及国内知名艺术学院大师辈出,如勃洛克、欧姬,劳申伯格,罗斯科,还有艾未未,等,都曾在这里学习和训练,如今他们闪耀的群星照耀在人类文明的头顶。在这里,艺术家们来到纽约艺术的自由和开放的扑,在大师的摇篮里深深的熏陶。

与此同时,她如家人般的和中国杰出的艺术家,艺术批评家柴中建先生中断了的交流;和意大利著名的策展人,人文主义学者桑德罗·奥兰迪/桑德罗·奥兰迪先生的展览合作,等等,这些师友,无疑是她探索之路必须攀登的高山和伟大的精神导师。

关于吕美这十年的作品,柴中建先生用梅洛庞蒂的“眼与⼼”的概念,来感受美的艺术道路作为视觉的⼼路历程。因此,请允许我引用柴中建先生的艺评:“吕美的艺术作品,在吕美的三天里有新的拓展:其同一,“意象”展开。其⼆,“观念”活动。其三,“⼼性”流露。美最近的作品与⽆意识写作有关,是使自主意⼰的内在留下念头和思维,⽽专注纯然⼼性自主流露的状态,能量日益强,作品所能蕴涵的东西越加丰富。她以更高的活动圆形和以太形为基本构成要素,最后,圆形立体形成的画面板混沌、星空、奥秘的显现;圆形立体的画面板了通天塔的结构。这显然是她的⼼灵图像。”

 

近些年来,随着疫情的限制,艺术家吕美更多的驻扎北京工作室创作,她接连重温了艺术史中她所喜爱的艺术家,如奥基芙、勃洛克所有重要的艺术作品,逐一认识了生生不息的现代主义传统吕的各个环节,尤其是奥基芙的个人魅力和强大的精神力量吸引着美的脚步,之后,艺术家真正开始了自己的工作,从致敬系列开始,这些大师为她指出了真正的道路精神,但作用也是有限的,因此,她像塞尚那样“工作使自己的事业进步”,展览中的近些年从未展出过的新作系列,揭示了艺术家的情感,她依靠的秩序和尺寸,她带来了丰富的色彩,一路的领悟:一座金山,一盏华灯,“巴别塔”,一弯彩虹,还有,浪漫的月亮…… ..

 

“移情别恋”,展览,从回望,指向未来。

 

2024年7月于北京在3画廊

 

Love? Love! - Preface to Lu Mei's Solo Exhibition
Mianbu

爱?爱!
——陆玫个展序
策展人:卜冕
2014年,艺术家陆梅从美国纽约回到中国北京。她
成立个人工作室,将探索与艺术生涯转向中国
整整10年。在过去的10年里,她的创作过程从一个
无法控制的实验激情般的灵感,一系列的精神自我
discipline with minimalism. From the sprawling footprints-like mountains to the
hesitation before steep cliffs break, her creation and life are like Ulysses searching for
truth on the vast sea. Therefore, I report her selected representative works of the past
10 years as"Love? Love!", symbolizing the artist's gentle emotions and unwavering
pursuit of the essence of art.
The rich cultural resources of the United States and China, as well as her circle of
friends, have been transformed into a language source for personal exploration
through learning and in-depth communication. From June 2014 to December 2015,
she received training at Wei Ligang's Shuxiang Academy, she learned Jiang Caiping
Gongbi Research Class of Mineral Color Painting at CAFA and the Central Academy
of Arts and Crafts. This, as well as her visual reading experience in the United States,
enabled her to transition from the classic forms to the path of exploring contemporary
art painting. In 2017, she returned to New York and established her own studio at EFA
Studios on West 39th Street in Manhattan, near Times Square, starting an international
professional artist working model. At the same time, in 2018, she studied sculpture at
the New York Art Student League under the renowned sculpture masters Leonid
Lerman (born in Odessa, Russia, studying painting and sculpture at the Odessa
Academy of Arts and the Mosaic and Woodcarving School). This renowned art school
has produced many masters, such as Jackson Pollock, O'Keeffe, Laushenberg, Rosko,
and Ai Weiwei, who have all studied and trained here. Today, they are shining stars
shining on the top of human civilization. The sentence is: Here, artist feel the free and
open atmosphere of New York Art, deeply nurtured in the cradle of masters. At the
same time, she maintained uninterrupted communication with Mr. Chai Zhongjian, an
outstanding Chinese philosopher and art critic, like a family member; Collaborating
with Italy's most famous curator, humanist scholar Sandro Orlandi, for the exhibition,
these mentors and friends are undoubtedly the high mountains she must climb on her
exploration journey and the enormous spiritual mentors. Regarding the works of Lu
Mei over the past 10 years, Mr. Chai Zhongjian used Maurice Merleau- Ponty's
concept of "eyes and heart" to experience Lu Mei's artistic path as a visual journey.
Therefore, allow me to quote Mr. Chai Zhongjian's art review: "Lu Mei's art works
have new expansions in three aspects: firstly, the development of ‘imagery’
Secondly, ‘conceptual’ activities. Thirdly, the expression of 'heart nature'. Lu Mei's
recent works are related to unconscious writing, which involves separating her inner
activities from thoughts and ideas, and placing her in a state of pure and natural
expression of her mind. Her energy is becoming more stronger, and the things that her works can contain are becoming more richer. She uses overlapping circles and squares
as the basic elements, and finally, the image of overlapping circles is like the
manifestation of chaos, starry sky, and mystery; The square overlay forms the
structure of the Babel Tower. This is clearly her mental images."
In recent years, with the restrictions of the epidemic, artist Lu Mei has stayed more
time in her Beijing studio to create. She has revisited all the key art works of artists
she loves in art history, such as Georgia O'Keeffe and Mark Rothko, and has come to
understand every aspect of the modernist tradition that continues to thrive. Especially
O'Keeffe's personal charming and strong spiritual power have attracted Lu Mei's
footsteps.
Afterwards, the artist truly began her work. Starting from the Salute series, these
masters pointed out the true spiritual path for her, but their role was also limited.
Therefore, like Cézanne, she "worked to advance her career". The new series of works
that have never been exhibited in recent years in the exhibition reveal the artist's
emotions and the order and scale she relies on. The rich colors she brings, The sense
of wonder along the way: a golden mountain, a chandelier, the Tower of Babel, a
rainbow, and a romantic moon...
"Love? Love!", Exhibition, looking back and pointing towards the future.
Mian Bu
July 2024 at Being 3 gallery in Beijing