艺术家:
布克哈德.冯.哈德
Artist(s):
Burkhard von Harder
2024巴黎/柏林国际电影节I新电影与当代艺术 Rencontres Internationales Paris/Berlin 2024
循环 改编自 Godfrey Reggio 的 QATS 三部曲
棉布
我们非常荣幸地宣布，在3画廊艺术家，Burkhard von Harder-布克哈德.冯.哈德，入选Rencontres Internationales Paris/Berlin -巴黎/柏林国际电影节，本届电影节将于 2024 年 11 月 18 日至 24 日在巴黎举行：
标题：循环 改编自 Godfrey Reggio 的 QATS 三部曲
Rencontres Internationales Paris/Berlin-巴黎/柏林国际电影节 将于 2024 年 11 月 18 日至 24 日在巴黎 Jeu de Paume、CWB Paris、Gaîté Lyrique Fiminco Foundation 和其他场地举行。
视频库仅供经认可的媒体和专业人士使用。它将使记者和专业人士能够发现罕见的选择，汇集整个节目。
《CYCLES》（96 分钟，2018/2024）改编自 Godfrey Reggio 的《QATSI 三部曲》，设想在三个平行屏幕上播放，是一部以《CYCLE OF WAR》（86 分钟）为核心的抽象视听冥想。Thomas Fleischhauer 的迷人配乐揭示了电影语言中隐藏的视觉元层次，将体验提升到了另一个层次。
“这真的是扩展的电影，将电影解释为一种直接的视觉理论。”，巴黎电影画廊总监 Pip Chodorov（观看该项目的无声版本后）。
关于 24 fps - 解构电影是 2015 年 12 月 24 日在中国北京 Being 3 画廊开幕的展览的标题。展览致力于让每部电影的每个画面都清晰可见，张艺谋的《大红灯笼高高挂》首先被翻译成数字电影卷轴，然后被印在壁纸上，沿着画廊的墙壁蜿蜒 40 多米长、3 米高。随后进行了更多的电影研究，最终产生了《无题电影卷轴》系列。
关于《循环 - 战争循环（第二部分）》（无声），然而，随着戈弗雷·雷吉奥的《卡西三部曲》的数字翻译，更名为《循环》（破坏循环 - 战争循环 - 变革循环），高潮似乎已经达到，数十万帧画面清晰可见，这是一部电影的 DNA。原版电影中过度使用实验电影技术（延时拍摄、跳跃剪辑、色彩运用等）揭示了电影语言最迷人的视觉元层次，转化为无尽的万花筒图案图像流，这些图案可能没有人意识到存在。就像在现实生活中一样，电影观众被锁定在时间成为时间一部分的展开过程中。观看卷轴就像从外面看时间，过去、现在和未来同时发生，超越了通常的时间线。
托马斯·弗莱施豪尔 (Thomas Fleischhauer) (2024) 创作的迷人配乐，恰到好处，为体验增添了新的维度（直到现在都是无声的）。
观看样片链接：https://filmfreeway.com/CYCLES513
关于“巴黎/柏林国际摄影节将于 2024 年 11 月 18 日至 24 日在巴黎举行”，纪录片方法、实验小说、视频、混合和多媒体形式。在来自世界各地的艺术家和嘉宾的见证下，2024 年巴黎国际电影节将提供独特的国际项目，汇集从 109 个国家收到的 5,762 份参赛作品中选出的作品。2024 年巴黎/柏林国际电影节的节目将汇集来自 52 个国家的约 142 部作品，其中 90% 将是首映作品：放映、展览、VR 体验、表演、论坛和小组讨论。
为期 7 天的巴黎/柏林国际电影节将提供一个真正的发现和反思实验室，致力于当代动态影像实践。
关于“巴黎/柏林国际电影节”，巴黎/柏林国际电影节是一项致力于当代动态影像实践的、欧洲独一无二的、最重要的平台，通过激烈的选件竞争，它提供了一个发现和反思新电影和当代艺术的空间。
Les Rencontres Internationales- 巴黎/柏林国际电影节，追溯了新电影和当代艺术之间艺术实践的特殊性和融合，研究了新的艺术形式及其批判方法，并为观点的相遇和交流提供了必要的时间和场地。
电影节网站：https://www.art-action.org
关于艺术家：Burkhard von Harder-布克哈德.冯.哈德，1954 年出生于德国叙尔特岛 / 纽约大学 Tisch 艺术学院电影研究 / Fleckhaus 学生，直至 1983 年,Fleckhaus 不幸去世。
他对德国罪恶和救赎主题的终生探究产生了诸如《父亲图片》（2001/04）、《发掘项目》（2005/08）、《SCAR 项目》（2009/14）等艺术项目，还创作了诸如《解构电影》（2015/18）或最近的《投影森林》（2019/24）等作品，探究感知。
艺术家个人网站：https://dna-of-films.com
CYCLES An Appropriation of Godfrey Reggio's QATS Trilogy
Mianbu
We are very honored to inform you that,
Rencontres Internationales Paris/Berlin, which will take place in Paris from 18 to 24 November 2024:
Author: Burkhard von Harder,
Title: CYCLES An Appropriation of Godfrey Reggio's QATS Trilogy
Being 3 gallery’s Artist Burkhard von Harder’s work has been shortlisted.
Rencontres Internationales Paris/Berlin will take place in Paris from 18 to 24 November 2024 at
Jeu de Paume,
CWB Paris,
Gaîté Lyrique
Fiminco Foundation
and other venues.
The video library will be available for accredited press and professionals only. It will enable journalists and professionals to discover a rare selection, gathering the whole programme.
CYCLES (96 Minutes, 2018/2024), an appropriation of Godfrey Reggio's QATSI Trilogy, envisioned for three parallel screens, is an abstract audio-visual meditation with CYCLE OF WAR (86 min) as its centre piece. Revealing hidden visual meta levels of the filmic language the mesmerizing soundtrack by Thomas Fleischhauer lifts the experience to yet another level.
‘That is really expanded cinema, explaining cinema as a direct theory for the eye.’
Pip Chodorov, Director, The Film Gallery, Paris (after watching the project's silent version)
About 24 fps - Deconstructing Movies was the title of an exhibition that opened on December 24, 2015 in Being 3 Gallery of Beijing/China. The exhibition was dedicated to the idea of making each and every individual frame of a given movie visible, in this case it was Zhang Yimou’s ‘Raise the Red Lantern’ that had been translated into a digital filmscroll first before being printed on wallpaper that meandered more than 40 meters in length and three meters in height along the gallery walls. More cinematographic examinations were to follow, resulting in the series Untitled Filmscrolls.
About”Cycles - Cycle of War (Part 2)”,（Silent）,The climax seemed to be reached, though, with the digital translation of Godfrey Reggio’s QATSI Trilogy, renamed CYCLES (CYCLE OF DISRUPTION - CYCLE OF WAR - CYCLE OF CHANGE), making hundreds of thousands of frames visible, the DNA of a film. The excessive use of experimental film techniques in the original films (time lapse, jump cuts, use of color etc) revealed the most fascinating visual meta levels of the cinematic language, translating into an endless image-flow of caleidoscopic patterns no one may have been aware of existed. As in real life, viewers of a film are locked into the unfolding process of time being part of time. Looking at a scroll is like looking at time from the outside, past, presence and future happen simultaneously, transcending the usual timeline.
The mesmerising soundtrack by Thomas Fleischhauer (2024), made to fit, is adding a new dimension to the experience (silent until now).
About”Rencontres Internationales Paris/Berlin will take place in Paris from 18 to 24 November 2024”,Documentary approaches, experimental fictions, videos, hybrid and multimedia forms. In the presence of artists and guests from all over the world, the 2024 edition in Paris will offer a unique international programme bringing together works selected from the 5,762 submissions received from 109 countries. The programme of the Rencontres Internationales Paris/Berlin 2024 will gather about 142 works from 52 countries, 90% of which will be premieres: screenings, exhibitions, VR experiences, performances, forums and panel discussions.
For 7 days, the Rencontres Internationales Paris/Berlin will offer a genuine laboratory for discovery and reflection dedicated to contemporary practices in the moving image.
About”Rencontres Internationales Paris/Berlin”,A major event dedicated to the contemporary practices of the moving image, Rencontres Internationales offers a space to discover and reflect upon new cinema and contemporary art.
Les Rencontres Internationales traces the specificities and convergences of artistic practices between new cinema and contemporary art, examines new artistic forms and their critical approaches, and provides the necessary time for points of view to meet and be exchanged.
Abort artist:Burkhard von Harder, *1954 on the Isle of Sylt, Germany / Filmstudies at Tisch School of the Arts/NYU / Fleckhaus student until his untimely death in 1983.
A life long inquiry into topics of German guilt and redemption produced art projects such as Father Pictures (2001/04), The Unearthing Project (2005/08), The SCAR Project (2009/14) but also created bodies of work like DECONSTRUCTING MOVIES (2015/18) or most currently FOREST OF PROJECTIONS (2019/24) inquiring perception.