2018.12.21

开幕回顾 | 金沙新工笔个展 Jin Sha Solo Exhibition | THE MESSAGE

金沙个展-受胎告知

Jin Sha:Themessage

吕鹏个展-何以欢聚

Lu Peng:Party

朱伟个展-水墨研究课徒

Zhu Wei:Inkand Wash Research Lectures

2018.12.15-2019.3.5

在3画廊教堂空间,三层月亮

 

在3画廊于2018年12月15日,在教堂空间及三层月亮隆重推出金沙、吕鹏、朱伟三位杰出母语类艺术家的三个展,作为岁末经典展览版块的收官大展。此次新工笔大展中所呈现的作品均为三位艺术家的系列新作,同时,结合在3画廊空间自身的后工业风格,即为观者带来了一次极具魔幻性的新工笔视觉盛宴,也为中国当代美术史增添了新意。展览将持续至2019年3月5日。

撰文 / 史珏丽Julie Segraves

对工笔艺术家金沙来说,1988年是至关重要的一年,原因有二: 一、他迷上了文艺复兴时期的艺术,这一浓厚兴趣影响了他未来多年的创作过程;二、他被著名的中央美术学院艺术学位项目录取。

文艺复兴及其艺术对他的吸引力基于文艺复兴时期的欧洲和当代中国具有许多共同的显著特征:健康的经济体和许多随之富裕起来的人民,社会与文化的快节奏变迁,迅速崛起的超级富豪,以及随后出现的建立在消费,贪婪和腐败的文化。伴随着这两个历史时期的现实,文艺复兴时期的欧洲和当代的中国同样见证了自己独特且具有开创性的艺术创作。

金莎以文艺复兴时期的名作为灵感创作了许多画作,为观众呈现了一种熟悉而著名的西方艺术的新面貌,富有想象力地保留了他绘画对象的服装,但剔除了他们的真实形象,让观众去思考与之对应的当代替代者。

史珏丽Julie Segraves

(本次三个展特邀学术,美国亚洲艺术委员会主席)

 

金沙,1968年生于北京;1992年毕业于中央美术学院中国画系;北京工笔重彩画会副会长兼秘书长,中国工笔画学会常务理事,浙江画院中国工笔画研究所艺委会委员;现生活,工作在悉尼和北京。

 

Jin Sha

The year 1988 was pivotal for the gongbi artist, Jin Sha, fortwo reasons: he became fascinated with Renaissance art,an area, which would influence his creative process formany years to come, and he was accepted into the artdegree program at the prestigious Central Academy ofFine Art.

 His attraction to the Renaissance and its art is based on the various significant traits which Renaissance Europe and contemporary China share: healthy economies and the ensuing prosperity of many of their citizens, fast paced social and cultural changes, the swift rise of the super rich, and the subsequent emergence of culture built upon consumption, greed and corruption. Along with the realities of these two historic periods, both RenaissanceEurope and contemporary China also witnessed the creationof their own distinctive, groundbreaking art.

Utilizing Renaissance masterpieces as inspiration for many of his paintings, Jin Sha offers his viewers a new take on familiar and famous Western art and imaginatively preserves the attire of his subjects, but eliminates their actual figures, leaving his viewers to contemplate corresponding contemporary replacements.